Shortly after the posting of this blog, all 3,000 copies of National Geographic’s new map of Cuba will have come off the presses. It has been our intent that all blogs in this series have given you some insight into what it takes for us to make a detailed political map. On a personal level, you have also heard the varied experiences of those that contributed to this map’s construction. From Julie Ibinson’s “Hitting the Cartographic Jackpot,” Rosemary Daley’s “Armchair Traveling,” Debbie Gibbon’s “Creating a New Classic Map,” and Maureen Flynn’s “An Editorial Tour of the Island.”
If you have followed our Cuba on My Mind blogs, you are now most likely wondering why the final entry in this series is so oddly subtitled. Well, it has to do with Valdés family lore and, in many ways, with the lore of all National Geographic cartographers. For you see these road signs guided me to where I am today.
Back in 1962, having newly arrived in Miami, my father got lost in the city one day. He phoned me in hopes of getting clearer directions. When asked where he was, all he could tell me was that he was “At the corner of yield and one way.” Were it not for a simple road map, I would not have been able to guide him home that day.
The staff cartographers at National Geographic have all in one way or another experienced a similar seminal moment where that first contact with a map would ultimately guide them to their lifelong vocation. So, whether directly, or indirectly, every globe, atlas, map, or map graphic we produce, we produce with the intent of helping you metaphorically get to and from all of those places on this earth located “At the corner of yield and one way.”
Juan José Valdés
Director of Editorial and Research
National Geographic Maps
Read All Posts in This Series